Navy See Res in Brighton

by Yu Miyashita

supported by

Matthias Brendel (aka neposilla) thumbnail

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¥1,100 JPY
Full Digital Discography

16

releases

Get all 16 mAtter releases available on Bandcamp and save 35%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of WHAT WE LEAVE BEHIND / JEAN-LUC GODARD ARCHIVES, DUO, Fukinsei, Tranquility Variations, SIX PIECES FOR GUITAR, the GARDEN, Three Shaded Leaves (for Bernhard Günter), Navy See Res in Brighton, and 8 more. , and , .

Purchasable with gift card

¥10,920 JPY or more (35% OFF)

1.	In 01:40	buy track
2.	Ash Lug Sun 04:08	buy track
3.	Navy See Res 04:36	buy track

about

+
trk.4 / End or First 03:27
trk.5 / Schlock Ops 03:12
trk.6 / Sepia Walks Me 1 04:02
trk.7 / Endwise 03:14
trk.8 / Sage Asks Pulse 05:24
trk.9 / Remove Faith 03:50
trk.10/ Sepia Walks Me 2 03:56
trk.11/ Out 02:27

"When you make a payment for Digital Album Price( ¥1,100), you will automatically receive another eight tracks. Your album will then be complete!"

"Digital Album価格にてご購入された方には隠しトラックになっている別の8曲が自動的に追加され、アルバム全11曲がダウンロードされます."

Yu Miyashita

Born 1984 Yamanashi Japan. Lives Japan / Brighton United Kingdom.
Much of Yu’s compositions are based on the Glitch and Onkyo branches of Noise which grew up in the late 1990′s.

Glitch is constructed from digital debris,
errors and the processing (often the misuse, reissue or abuse) of normally extraneous sounds, instruments and machinery.

Glitch musicians will record bugs, crashes, system errors, hardware noise, skipping and audio distortion on their computers. Onkyo is based on free improvisation and also appeared during the late 1990′s.

This type of music is more textural than structural, cutting together elements of electronic music and even silence. Yu Miyashita gathers bits of noise intuitively and assembles them into his Onkyo / Glitch / Noise hybrids.

www.underarrow.com

credits

released July 7, 2011

Japanese musician and composer Yu Miyashita has created a new album especially for the Tokyo label mAtter.

Each track is named instinctively and then playfully reworked as a random anagram. All relate to the seven years Miyashita spent in Brighton.

The title to the album and lead track, Navy See Res, is a sound reminder of the starlings which can be found circling the Brighton shoreline in droves.

Miyashita’s methodology incorporates the use of software cyan/n. When extending the short samples to create drone sounds he uses Renoise.
Returning to his collection of thousands of one second sound samples, which he built up during the seven years, Miyashita has selected from them in order to create his expansive collages of sound and huge soundscapes which are intense powerful and, at times, mind blowing.

ARTIST :: Yu Miyashita
TITLE :: Navy See Res in Brighton
LABEL :: mAtter
CAT NO. :: MATTER009
PRICE :: 1,100 JPYEN

FORMAT :: data ( download only )
RELEASE DATE :: 2011.07.07

mastering : Yu Miyashita
Photo : Yu Miyashita
sleeve design : Yukitomo Hamasaki

www.matter.jp

license

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mAtter Japan

mAtter is an independent label and artistic organization based in Tokyo, founded in 2008.

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